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I’m Tracy Au and I have a 2 year diploma in Professional Communication from MacEwan University. I am an aspiring screenwriter, so this blog is used to promote my writing and attract people who will hire me to write for your TV show or movie. I post a lot of articles about jobs, entertainment (TV, movies, books), news, and my opinions on it. I also write about my daily life. I have another blog promoting my TV project at www.thevertexfighter.blogspot.com.
Sunday, September 30, 2012
consumer vision/ school advice/ scam
Friday, September 28, 2012
Double donations end Sunday
I got this from Amnesty International:
https://takeaction.amnestyusa.org/site/c.6oJCLQPAJiJUG/b.8283973/k.F998/September_Membership_Drive__2012/apps/ka/sd/donorcustom.asp?msource=W1209ESMD4J
Dear Tracy,
All this month, artists and human rights activists like me have proudly raised our voices to defend human rights with Amnesty International.
Now, it's your turn.
Sunday is your last chance to double your gift. Please join me by becoming a member of Amnesty International right now.
Your gift matters – collective action releases people from prison, torture and execution:
Jenni is right – we're in this together to shine a bright light on the horrific acts of violence committed by Syrian security forces against their own people, in the hopes we can help end the atrocities.
We're in this to fervently declare love a right, not a wrong, and work to overturn the discriminatory "Defense of Marriage Act" (DOMA).
We're wholeheartedly taking part in this because we refuse to yield to oppression and to hate, and we will not let slip our hard-fought gains.
With the world facing unprecedented assaults on human rights, Amnesty's mission is more relevant and urgent than ever.
Your membership today will help Amnesty rise to these challenges. Join us.
https://takeaction.amnestyusa.org/site/c.6oJCLQPAJiJUG/b.8283973/k.F998/September_Membership_Drive__2012/apps/ka/sd/donorcustom.asp?msource=W1209ESMD4J
Dear Tracy,
All this month, artists and human rights activists like me have proudly raised our voices to defend human rights with Amnesty International.
Now, it's your turn.
Sunday is your last chance to double your gift. Please join me by becoming a member of Amnesty International right now.
Your gift matters – collective action releases people from prison, torture and execution:
"I don't regret a single moment. I celebrate the work that I do and the people I work with...We are in it together."That's Jenni Williams, the inspiring co-founder of Women and Men of Zimbabwe Arise. She's been arrested 43 times and been beaten severely for defending human rights in her country. Jenni credits Amnesty International members with saving her life multiple times.
Jenni is right – we're in this together to shine a bright light on the horrific acts of violence committed by Syrian security forces against their own people, in the hopes we can help end the atrocities.
We're in this to fervently declare love a right, not a wrong, and work to overturn the discriminatory "Defense of Marriage Act" (DOMA).
We're wholeheartedly taking part in this because we refuse to yield to oppression and to hate, and we will not let slip our hard-fought gains.
With the world facing unprecedented assaults on human rights, Amnesty's mission is more relevant and urgent than ever.
Your membership today will help Amnesty rise to these challenges. Join us.
Thursday, September 27, 2012
Do not sit in silence
I got this from Amnesty International:
https://takeaction.amnestyusa.org/site/c.6oJCLQPAJiJUG/b.8283973/k.F998/September_Membership_Drive__2012/apps/ka/sd/donorcustom.asp?msource=W1209ESMD3RJ
Dear Tracy,
Pussy Riot is fighting back.
Nadya, Masha and Katja are due in court for an appeal hearing on Monday, Oct. 1. That's in less than one week.
These three young women were sentenced to two years in a penal colony for performing a punk rock protest song in a Russian cathedral – a sentence that sparked a massive global uproar. It's an outrageous case that symbolizes President Putin’s crackdown on dissent.
Even Russian Prime Minister Dmitry Medvedev said the members of Pussy Riot should be freed.
We're at a critical turning point in this case. Amnesty International is working directly with the lawyers and family members of Pussy Riot to shine a spotlight on this case in a big way.
Stand with us. Refuse silence.
Your membership is needed to help Amnesty mobilize forceful, global responses to human rights crises.
We're nearing the end of our September Membership Drive. I’ve set a bold goal of inspiring 50,000 gifts, and to get there, a generous Amnesty donor will double your impact and match every dollar you donate before Sept. 30.
Russia’s treatment of Pussy Riot reveals a chokehold on freedoms and an unwillingness to respect human rights that must be addressed.
Beyond the clampdown within Russia’s borders, President Putin continues to support ally Syria, despite mounting evidence of crimes against humanity committed by the Syrian government.
We need to turn up the volume.
This is the moment for supporters like you to step up and invest in the Amnesty movement, so that we can meet these serious human rights challenges head on. Make your move – become a member of Amnesty today.
Millwoods Town Centre/ Post Secret/ intellectual stamina
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Tuesday, September 25, 2012
Your chance to free the women of Pussy Riot
I got this from Amnesty International:
http://takeaction.amnestyusa.org/c.6oJCLQPAJiJUG/b.8302257/k.9A29/Free_Pussy_Riot/siteapps/advocacy/ActionItem.aspx?msource=W1209EDIAR1
Dear Tracy ,
"Daddy, I'm going to get mommy out of jail with a bulldozer."
That's four-year-old Gera speaking about her plan to free her mother Nadya, one of the imprisoned members of Pussy Riot.
As an Amnesty activist, you know we don't need a bulldozer to free a prisoner – just the power of our voices. And we need your voice more than ever as Pussy Riot faces an appeal hearing on October 1st.
Turn up the volume of protest to end the political persecution of Pussy Riot. Send your message calling for the unconditional release of Nadya, Masha and Katja.
Nadya and the other members of Pussy Riot went to the cathedral to give Russia – and the rest of the world – a wake-up call. They felt it was their civic duty to expose the corruption and repression they saw.
Pussy Riot stood up for their ideals. As artistic expression. Nonviolently. Legally.
Except, of course, in Putin's Russia, where their dissent was stifled and condemned as "hooliganism."
But there is hope. The world is watching. Last week, Pyotr Verzilov travelled with his daughter Gera to the United States to work with Amnesty to raise awareness for his wife's case. During the Amnesty International Youth Town Hall, Aung San Suu Kyi met with Pyotr and Gera and called for the release of the women. With Amnesty at her side, Yoko Ono gave the band the LennonOno Grant for Peace to honor their courage.
During their visit, Pyotr expressed how moved he was by your advocacy on behalf of his wife and the other courageous women imprisoned for expressing their opinions peacefully:
“We are grateful to Amnesty International for your work on the case and all of your support. The most important thing you can do is rally people. We need your voices.”
Use your voice to tell the Russian authorities to release Nadya, Masha and Katja. Take a stand for free speech and human rights before Pussy Riot's Oct. 1 appeal hearing.
In solidarity,
Michelle Ringuette
Chief of Campaigns & Programs
Amnesty International USA
http://takeaction.amnestyusa.org/c.6oJCLQPAJiJUG/b.8302257/k.9A29/Free_Pussy_Riot/siteapps/advocacy/ActionItem.aspx?msource=W1209EDIAR1
Dear Tracy ,
"Daddy, I'm going to get mommy out of jail with a bulldozer."
That's four-year-old Gera speaking about her plan to free her mother Nadya, one of the imprisoned members of Pussy Riot.
As an Amnesty activist, you know we don't need a bulldozer to free a prisoner – just the power of our voices. And we need your voice more than ever as Pussy Riot faces an appeal hearing on October 1st.
Turn up the volume of protest to end the political persecution of Pussy Riot. Send your message calling for the unconditional release of Nadya, Masha and Katja.
Nadya and the other members of Pussy Riot went to the cathedral to give Russia – and the rest of the world – a wake-up call. They felt it was their civic duty to expose the corruption and repression they saw.
Pussy Riot stood up for their ideals. As artistic expression. Nonviolently. Legally.
Except, of course, in Putin's Russia, where their dissent was stifled and condemned as "hooliganism."
But there is hope. The world is watching. Last week, Pyotr Verzilov travelled with his daughter Gera to the United States to work with Amnesty to raise awareness for his wife's case. During the Amnesty International Youth Town Hall, Aung San Suu Kyi met with Pyotr and Gera and called for the release of the women. With Amnesty at her side, Yoko Ono gave the band the LennonOno Grant for Peace to honor their courage.
During their visit, Pyotr expressed how moved he was by your advocacy on behalf of his wife and the other courageous women imprisoned for expressing their opinions peacefully:
“We are grateful to Amnesty International for your work on the case and all of your support. The most important thing you can do is rally people. We need your voices.”
Use your voice to tell the Russian authorities to release Nadya, Masha and Katja. Take a stand for free speech and human rights before Pussy Riot's Oct. 1 appeal hearing.
In solidarity,
Michelle Ringuette
Chief of Campaigns & Programs
Amnesty International USA
Create Your 2012 In Writing
I got this from the Great American Pitchfest. This is an inspirational article about writing and positive thinking:
Create Your 2012 In Writing
by Anne Norda
Anne Norda is the co-director of the Script-a-thon and will be speaking on Intuitive screenwriting at this year's Great American PitchFest. Her next screenwriting workshop will begin on February 29th. She is offering a 10% discount for fans of the Great American PitchFest. Just mention the GAPF to get the discount.
Greetings everyone! Wishing
you all a fulfilling and fun-filled 2012! by Anne Norda
Anne Norda is the co-director of the Script-a-thon and will be speaking on Intuitive screenwriting at this year's Great American PitchFest. Her next screenwriting workshop will begin on February 29th. She is offering a 10% discount for fans of the Great American PitchFest. Just mention the GAPF to get the discount.
I've practiced a ritual New Year's writing exercise for many years. I'd like to share it with you and hopefully inspire you to try this inspiring exercise for yourself.
CREATE YOUR 2012:
Get a pen and notebook.
Use any notebook to do this. Write long hand with a pen rather than in your computer. This allows a more direct and visceral connection to your unconscious mind.
Pick a place and time.
Make a date with yourself to spend an hour uninterrupted in a quiet location.
Write your year from the future, looking back.
Pretend you are standing in January 1, 2013. Looking back on the year 2012, describe everything that has happened of significance in your life. Write it in the past tense. Let your imagination run away into fantasy. Write the events that seem realistic, that you may expect from this coming year but allow yourself to go a bit beyond the expected and let some wishful thinking seep in.
It's about creating the year the way you would LIKE it to happen. Include amazing chance encounters and synchronicities. Get offered that perfect job. Let your business take off magically. Meet the love of your life at a friend's party or at the grocery store. You are the creator, so you get to make it all up. Have fun with it. Include all areas of your life. Mention months and dates: "In March, I met a wonderful man at a party." And so on. Make it fun. Go on for at least 3 pages. Until you hit January 1, 2013.
Save it for the future.
Store it somewhere safe. Take a look at it every few months. You may be amazed down the road at the coincidences and seeming clairvoyance of your predictions.
REASONS TO DO IT:
The act of dreaming your future into being in writing allows you to interact with your subconscious mind and see its musing in a material form. You may discover desires and hopes that you hadn't even realized you had. You also get a chance to be guided by your higher consciousness into possible solutions to puzzles that may be lingering in your mind right now.
ENJOY THE EXPERIENCE!
I read my 2011 creation late in the year (I had misplaced it) and was AMAZED by a few of the events that had actually come to pass at the exact times I had envisioned them. May all your dreams come true!!!
If you enjoyed this article, please share it with your friends!
Peace, Power, and Prosperity in 2012!
Anne
ScriptShadow interview
I got this from the Great American Pitchfest newsletter. This is a really good interview with ScriptShadow. He gives tips on screenwriting. Here's his blog:
http://scriptshadow.blogspot.ca/2011/06/scriptshadow-special-how-to-craft-damn.html
The Shadow Knows
http://scriptshadow.blogspot.ca/2011/06/scriptshadow-special-how-to-craft-damn.html
Q&A With ScriptShadow, Online Script
Reviewer
Many reviewers occupy the blogospheres, but ScriptShadow sets himself
apart by reviewing spec scripts, not films. With a massive amount of reviews
on his blog, ScriptShadow shares
his opinions on the scripts bouncing around the executive’s offices in
Hollywood.
GAPF: There are lots of formulas and techniques out there for how to get
a script written. How do you approach structure, character, and theme when
reviewing a script?
SS: It starts with structure. You want to make sure that at every
point in your story, there's a central character with a strong goal, driving the
action. Normally that would be your hero (Frodo has to destroy the ring), but
sometimes it can be your villain (Darth Vader chasing Han Solo in Empire
Strikes Back). And other times still, it can be both (Hans is trying to rob
the vault, and John McClane is trying to get his wife back in Die Hard).
If you ever hit a spot in your screenplay where there isn't at least one main
character with a strong goal driving the story, your story is dead.
On the character side, it's a lot more complicated. Writing interesting
characters is the hardest thing to do in a screenplay, so there's no way I can
answer that question in a single paragraph. The easiest way to create depth in a
character is to give them some sort of character flaw that’s always held them
back. Maybe he doesn't believe in himself (Rocky) or maybe he’s too
dependent on lying (Liar Liar). A character who’s battling something
inside of himself is the first step to creating a three-dimensional character.
Theme is the connective tissue in a screenplay. It's the glue that
connects your characters to your structure to your dialogue to all the other
little things that make up your script. If somebody hasn't decided on a clear,
well-thought-out theme, his or her script will feel disjointed and confused (a
very basic breakdown of Avatar’s theme might be – “Everything is
connected”). So whenever a script is tonally all over the place, I usually know
that’s a thematic problem.
GAPF: What is your advice for the writer sitting down to write for the
first time?
SS: Go become a doctor instead! Your wife will be a lot happier.
No, seriously, my advice would be to make sure this is something you really want
to do. It's one of the hardest professions out there, and it's going to take a
lot more work than you initially think it's going to take. If the only reason
you got into screenwriting was because you saw Transformers and thought
you could do better than that, you're going to hate screenwriting. It's a lot
harder than you think, and it takes a lot of hours to master. Most screenwriters
don't break out until they've been at this for seven years. To give you some
context, Cormac McCarthy (The Road, No Country For Old Men), one of the
great novelists of our time, just wrote his first screenplay (which he sold due
to his name), and it’s practically unreadable (this coming from 11 out of 12
hardcore McCarthy fans I know). That’s how difficult this medium is, that even
Cormac McCarthy has trouble with it. But if you're getting into this because you
truly love writing and the idea of telling stories in visual form, then this is
definitely the career choice for you.
GAPF: What is something your favorite scripts have in
common?
SS: My favorite scripts have a very strong narrative drive. You're
never confused about what's going on. There aren't 18,000 subplots confusing
you or 14,000 characters, 13,995 of which have nothing to do with the story. The
goals are clear. The motivations are clear. And the writer always does a really
good job keeping you in the loop of what's going on. The perfect example is
Back To The Future. You always know what's going on in that story. You
always know what Marty’s next goal or task is. You'd be surprised at how little
of this I see in amateur scripts.
GAPF: Why do you think that is?
SS: I know the writer knows what's going on in his story -
but he hasn't yet learned how to convey that to the reader. Now the funny thing
is, I don't necessarily need this from the movies I see. I can enjoy a movie
like Babel or The Thin Red Line, but you just can't do that kind
of stuff in screenplays.
GAPF: What qualities do most of your least favorite scripts
have?
SS: Sloppiness. You'd be surprised at how sloppy the screenplays I
read are, not only from amateurs, but also from professionals. There's a
pervading thought because it’s a screenplay (as opposed to a novel), it's okay
if you cut corners or don’t put any effort into your subplots or secondary
characters. This is a horrible way to approach screenwriting. You have to treat
your screenplay as a Bible.
GAPF: What feedback do you wish you could give those writers?
Every single detail needs to be poured over. If something isn't good
enough, and you know it, change it. Don't just say to yourself, “Well,
it’s okay if this scene sucks because there's a good scene coming up.” Every
scene needs to be a good scene. Clint Eastwood said it best when asked how he
makes such good movies, “Easy. I just try to make every scene the best scene in
the movie.” If you take pride in your work and give 100 percent on every single
aspect of your screenplay, you'll put yourself above 90 percent of the
screenwriters out there.
GAPF: Talk about some of the scripts you’ve reviewed where the movie was
markedly worse?
SS: Well, I infamously had Everything Must Go on the top of
my "best unproduced screenplays" Top 25 List for a couple of years, and it
really was a clever well-written screenplay. It was about a guy who’d been
kicked out of his house by his wife and decides to defiantly set up camp on his
front lawn. I won't get into all of the reasons I liked it, but when I saw the
movie, I was shocked how boring it was. And I realize the reason it was so
boring was because the whole thing took place in one yard. Movies are kinetic
and visual. So where the location didn't really matter on the page, it became a
huge problem on the screen. We just never went anywhere or did much, and that
sunk the movie into Boredom Town.
GAPF: Which script was better onscreen than on the page?
SS: I'd point to Hanna. To me, the script didn't go
anywhere. It had long sections where Hanna would live with a family and not do
anything. I thought it was pretty horrible. And it didn't make sense either (Her
dad sends her out to meet him in Germany? Why didn’t he just go there with
her?). But what Joe Wright did with the style and tone of the film made it
infinitely more exciting. They made some script changes to put Hannah on the
move more, and also all of the delirious imagery and strangeness that made the
movie so unique wasn’t on the page.
GAPF: You have a book coming out. What can you tell us
about
it?
SS: I wanted to write a book meeting two sets of criteria. The
first was it couldn’t be like any screenwriting book that had come out before.
The second was it would be a book I would want to buy myself. So I thought long
and hard, and I realized the most popular part of my site is the section at the
end of each review, detailing what I learned from the script. Everybody loves
that section. So I decided to build an entire book around that concept, except
instead of mining those lessons from unproduced screenplays, I’d mine them from
great movies. The book is 500 screenwriting lessons I learned from 50 great
movies. I have Die Hard in there, Aliens, Rocky, Star
Wars, Good Will Hunting, Pretty Woman, etc. I realize I'm a
little biased here, but I believe it will be the most informative screenwriting
book on the market. It comes out early March and will be available on my site!
GAPF: Do you have any pitching tips for the writers out
there?
SS: With pitching it's all about making sure your pitch is
practiced and ready and then having a couple of backup pitches ready to go. I
once went into a pitch with a partner, and we didn't have a backup. I could tell
within 30 seconds the producer we were pitching hated the idea. My partner,
however, did not realize this, so he kept talking and talking and talking. At
one point the woman looked so mad I thought she was going to punch my partner. I
realized if I had a couple of other pitches practiced, I could've jumped in and
given her something different.
GAPF: Do you have advice on longlines?
SS: As for loglines, they’re tricky little beasts, and I admit to
being baffled by them sometimes. But I posted an article on loglines, and it
became one of the top 5 posts on my site.
GAPF: Your blog has come under a lot of criticism for reviewing and/or
distributing early drafts of scripts. How do you respond to your
critics?
SS: A lot of that criticism came early on when I was posting links
for the screenplays I reviewed on the site. I don't do that anymore. I know
there are still people who don't like what I do and believe I'm hurting
professional screenwriters, and I understand their opinions up to a certain
point. But what some of those screenwriters forget is how lonely and difficult
and frustrating it is on the outside. They’ve maybe forgotten nobody wants to
read your screenplay, nobody wants to help you, and nobody wants to let you in.
What Scriptshadow does is it provides a bridge between these two worlds – the
amateur and the professional. I can't tell you how many times writers have
e-mailed, telling me they were going to quit screenwriting, until my site
demystified the process for them. It gave them something real to measure their
own screenplays against. The site gives people hope, and it's important to have
hope in a career as difficult as this one.
GAPF: What’s next for ScriptShadow?
SS: Some great things! I'll be switching over to my own domain (no
more Blogspot) within the next couple of months, creating more of a community
with the site. I'm jumping on what I believe are a couple of things that will
get bigger in the screenwriting world within a year or two, and I hope to be
offering screenwriters a way to capitalize on that. And then I'm coming out with
my book (early March!), which I plan on toppling the Cat with. So there's
a lot of great stuff on the horizon.
Inspiration From a Slaughterhouse
I was reading the Great American Screenwriter newsletter, and I found this really good article by Signe Olynyk as she discusses writer's block. I thought I should share it with all of you:
Inspiration From a
Slaughterhouse
by Signe ‘The Meat Freezer Girl’ Olynyk
Unmotivated. Lazy. Creatively constipated . Is this you?
It happens to all of us. We’re all overworked, underpaid, overwhelmed,
and under-appreciated. From time to time, this stew of exhaustion can cause us
creative types to lose focus and drive, and our artistic engines can stall.
BUT, there is good news. It is called a solution.
I write this because I have been dealing with my own creative
exhaustion. Let me back up.
Three years ago, I had a low budget concept about a guy locked in a meat
freezer. As someone who is always trying to make ‘Ben Hur in five minutes’, the
simplicity of this idea was a personal breakthrough. But as I wrote the script,
I was overcome with the worst case of writer’s block imaginable.
I went to film festivals and conferences. I took classes and read
books. I stared at my computer screen and drank buckets of caffeine. One day,
I even strapped myself to a chair to keep from fleeing the keyboard. Where was
the inspiration that would get me through the hell of writing this ‘man in a
box’, script?
After months of little progress, I tried this wondrous thing called the
internet. I googled. Meat freezer. Slaughterhouse. Trapped in cooler. Words
that I hoped would trigger some sort of creative anything. As I searched, I
came across an abandoned, slaughterhouse near Edson, Alberta that was for sale.
After contacting the woman who owned it, I asked if I could come for a
visit.
When I got there, I then asked if she would lock me in her freezer, and
NOT LET ME OUT – until the script was done.
Admittedly, this does sound somewhat…extreme. Looking back, the
expression on her face (part fear, part confusion, mixed with a whole lot of
‘are you friggin kidding’) was understandable. But anyone who knows me also
understands how obsession, and the quest for authenticity in one’s craft often
removes the ability to reason.
After spending five days locked in the freezer, I emerged with a
completed script. A year later, we were in production on the feature film,
‘Below Zero’, filming in the same location I wrote it, with stars Edward Furlong
(Green Hornet, American History X, Terminator II), horror icon, Michael Berryman
(The Hills Have Eyes, Weird Science), and Kristin Booth (Young People Fucking,
The Kennedys).
I’ll write another time about how we did THAT. But for now, let’s get
back to that solution I promised you. How do you get past your own creative ice
block? Where do you find inspiration in your own life?
I’m not saying you have to lock yourself in the freezer of an abandoned
slaughterhouse to write a great script. But you do have to be willing to do
what it takes. Inspiration is a luxury, and we should all cling to it when the
muse strikes, like the welcome friend she is. Most of the time, we have to
create our own inspiration. To my workaholic mind, that generally means making
a ‘to do list’ and racing around to accomplish a whole bunch of things to
‘inspire’ inspiration. But the opposite is generally true. What we really need
to do…is often, nothing.
‘Nothing’ means just experiencing the laughter of our children, and the
company of good friends and family. Finding it in the movies, books, and tv
shows we love. Taking walks and ‘nature moments’ where we simply breathe and
appreciate the world we live in. Getting rest and taking vacations, so we are
capable of even being inspired.
I haven’t decided what I am going to write next, but having myself locked
up in a freezer seemed to be the only way I could overcome my own writer’s
block. Perhaps my next script will be about some guy, trapped in Club Med.
That sounds so…inspiring.
writing for money/ Kill Shakespeare/ Signe Olynyk
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Sunday, September 23, 2012
We've got unfinished Troy Davis business
I got this from Amnesty International:
http://takeaction.amnestyusa.org/siteapps/advocacy/ActionItem.aspx?c=6oJCLQPAJiJUG&b=6645049&aid=518878&msource=W1209EADP3
Georgia -- we've got unfinished business.
One year ago today, you did the unthinkable. You executed a man even though the case against him had fallen apart. You had the chance to commute his sentence to life to avoid the risk of executing someone for a crime he may not have committed, but you dashed that option. Add to that, you carried out the execution in my name.
For the rest of our lives, we are left to wonder: Did Georgia kill an innocent man?
Tracy, I remember the intense mix of emotions I felt on September 21, 2011. I remember the anger and horror. But most of all, I remember feeling a strong resolve come over me to take the death penalty system down!
Georgia officials -- we're not letting you off the hook, but this time we're also involving the U.S. Department of Justice to give Troy Davis' case -- and others -- the scrutiny they deserve.
Investigate the execution of Troy Davis and patterns of government misconduct in death penalty cases.
We've been busy over the past year -- building a stronger case for why the death penalty system must be abolished. You see, all of the alarms we sounded in the case of Troy Davis -- including alleged police coercion of witnesses -- are many of the same alarms we've sounded before in other instances where people's lives are on the line.
In far too many cases, death and doubt go hand-in-hand: from Troy Davis to Robert Waterhouse, who was executed in Florida on Feb. 15 of this year, despite the fact that evidence from the crime scene had been destroyed before it could be subjected to DNA analysis. Let's not forget Reggie Clemons, who is fighting for his life right now, despite the fact that the case against him was likely built on police brutality and an abusive prosecutor.
That's why Amnesty International, along with the NAACP, is taking 10 well-documented capital cases, including Troy's, to the very top of the justice system -- and demanding not just answers, but accountability.
Help us put the justice system in check!
The death penalty is fundamentally flawed because it's fallible -- it makes mistakes. Since 1973, 140 people have been released from death row due to evidence of innocence.
When the death penalty system gets it wrong, there's no going back. Guilty or innocent, the death penalty is a terrible power that shouldn't belong to government.
It's okay to remember the sadness and anger we felt one year ago, but it's more important that we remember Troy's dying wish -- "to not give up the struggle for justice…to keep fighting for the other Troy Davises on death row."
With your support, we intend to do just that. Keep Troy Davis' struggle for justice alive!
In Solidarity,
Laura Moye
Death Penalty Abolition Campaign Director
Amnesty International USA
P.S. Please share this image with your friends and family today. Tell them all about Troy Davis.
http://takeaction.amnestyusa.org/siteapps/advocacy/ActionItem.aspx?c=6oJCLQPAJiJUG&b=6645049&aid=518878&msource=W1209EADP3
Georgia -- we've got unfinished business.
One year ago today, you did the unthinkable. You executed a man even though the case against him had fallen apart. You had the chance to commute his sentence to life to avoid the risk of executing someone for a crime he may not have committed, but you dashed that option. Add to that, you carried out the execution in my name.
For the rest of our lives, we are left to wonder: Did Georgia kill an innocent man?
Tracy, I remember the intense mix of emotions I felt on September 21, 2011. I remember the anger and horror. But most of all, I remember feeling a strong resolve come over me to take the death penalty system down!
Georgia officials -- we're not letting you off the hook, but this time we're also involving the U.S. Department of Justice to give Troy Davis' case -- and others -- the scrutiny they deserve.
Investigate the execution of Troy Davis and patterns of government misconduct in death penalty cases.
We've been busy over the past year -- building a stronger case for why the death penalty system must be abolished. You see, all of the alarms we sounded in the case of Troy Davis -- including alleged police coercion of witnesses -- are many of the same alarms we've sounded before in other instances where people's lives are on the line.
In far too many cases, death and doubt go hand-in-hand: from Troy Davis to Robert Waterhouse, who was executed in Florida on Feb. 15 of this year, despite the fact that evidence from the crime scene had been destroyed before it could be subjected to DNA analysis. Let's not forget Reggie Clemons, who is fighting for his life right now, despite the fact that the case against him was likely built on police brutality and an abusive prosecutor.
That's why Amnesty International, along with the NAACP, is taking 10 well-documented capital cases, including Troy's, to the very top of the justice system -- and demanding not just answers, but accountability.
Help us put the justice system in check!
The death penalty is fundamentally flawed because it's fallible -- it makes mistakes. Since 1973, 140 people have been released from death row due to evidence of innocence.
When the death penalty system gets it wrong, there's no going back. Guilty or innocent, the death penalty is a terrible power that shouldn't belong to government.
It's okay to remember the sadness and anger we felt one year ago, but it's more important that we remember Troy's dying wish -- "to not give up the struggle for justice…to keep fighting for the other Troy Davises on death row."
With your support, we intend to do just that. Keep Troy Davis' struggle for justice alive!
In Solidarity,
Laura Moye
Death Penalty Abolition Campaign Director
Amnesty International USA
P.S. Please share this image with your friends and family today. Tell them all about Troy Davis.
We're getting real about women's rights
I got this from Amnesty International:
Dear Tracy,
From the U.S. presidential elections, to the ongoing
transformations in the Middle East and North Africa, to
Afghan women rising up to claim their rights, women's rights
are human rights -- and they are driving the global debate.
As Executive Director of Amnesty International USA, I am
proud to say that
Amnesty International has always been at the
white-hot center of the
human rights debate.
Now we need your help -- and your voice. I hope you'll join me on Thursday, October 4, for the
second annual
XX Factor -- Amnesty's women's rights forum in Washington D.C.
livestream beginning at noon.
Eve Ensler, award winning author, playwright and activist, will
give the keynote
and set the tone for our dialogue with
policymakers, grassroots
activists, students, experts
and others advocating women's rights around
our world.
We'll discuss the human rights issues facing women today -
from the seismic political transitions that are unfolding across
the globe to women's participation in the 2012 elections and
beyond
here in the U.S.
For over fifty years, Amnesty has been working to create
change.
We know the core of that change begins with the
human
rights of
women. And as Eve Ensler has said: women are the
primary
resource of the planet.
I hope you'll join me for an experience you won't forget. Thank you and I hope to see you on October 4th! Suzanne Nossel Executive Director Amnesty International USA |
psychologist/ door-to-door/ morning routines
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