Friday, January 21, 2022

"Matrix reboot is a better pill to swallow for some"/ "Time for the red pill"/ My The Matrix essay

Mar. 20, 2017 "Matrix reboot is a better pill to swallow for some": Today I found this article by Jake Coyle in the Globe and Mail:

A reboot of The Matrix is said to be in the works, but many fans would rather see Warner Bros. choose a different pill.

The Hollywood Reporter on Tuesday reported that Warner Bros. is developing a relaunch of the 1999 film, which spawned two far less beloved sequels. Any new Matrix film is in such an early stage that it may never amount to anything. Warner Bros. declined to share any details on its plans on Wednesday. But the report was enough to stoke a backlash on social media over any tampering with the Wachowskis’ science-fiction creation.

On one hand, the dystopian vision of The Matrix would seem ideal for today. After all, many have recently suggested the world has tipped into a simulated reality of its own. 

Also, initially wounded fan feelings have been known to soften under the right conditions. Get the right talent involved, secure the necessary blessings, and you could have a Matrix version of the The Force Awakens on your hands.

But there’s also reason to believe moviegoers are increasingly saying no to cash-grab reboots. The reasons for their demises were various, but last summer was a graveyard of underwhelming redos, including Alice Through the Looking Glass, Independence Day: Resurgence and Ghostbusters. Still, remakes and sequels remain, overwhelmingly, the biggest box-office hits.

So why is the prospect of more Matrix particularly jarring? Here are a few reasons why: No Wachowskis. Though they could, of course, get involved in some capacity in the future, they aren’t currently attached as directors for the new project. 

For many, a Matrix without Lana and Lilly Wachowski – the writers and directors of all three films – is anathema. Keanu Reeves has said their involvement is necessary for his participation in any new Matrix movie. 

Originality was the main thrill of The Matrix. The disappointing sequels notwithstanding, The Matrix was exhilaratingly current, even futuristic, in its special effects innovation, distinctive visuals and philosophical underpinnings. A remake goes against the movie’s defining quality. 

It’s too soon. Though quick reboots have happened before, The Matrix doesn’t yet feel especially dated at 18 years old. But as Hollywood begins veering into the nineties for remake-ready intellectual property, Generation X is beginning to experience what has long been a constant for baby boomers. As Hollywood edges closer to plunder evermore recent remakes, it might need Neo to find some kind of time warp, too.




Mar. 22, 2017
"Time for the red pill": Today I found this article by Alyssa Rosenberg in the Edmonton Journal:


The utter creative bankruptcy represented by the news that Warner Brothers is developing a reboot of “The Matrix,” the wildly original 1999 blockbuster film about the last stand in a war between humanity and the machines that have surpassed them, is too obvious — and honestly, too depressing — to dwell on for long. 

It was deadening enough to watch Hollywood repeat the same story beats over and over again in genres like superhero movies that were designed to repeat and reset: Seeing the industry prepare to cannibalize its own most creative blockbusters makes me wonder whether mass culture wouldn’t be better off if the San Andreas Fault just opened up and swallowed the 30-mile zone.

And the idea of going back into “The Matrix” isn’t just bad because it so destroys my hope for the future of original action movies that I’m tempted to give all this up to go study illuminated manuscripts in a vault somewhere. 

From a financial perspective, the virtue of remaking an existing property is that it comes with high “pre-awareness” baked in: Warner Brothers can trust that viewers are basically familiar with the essential concept behind “The Matrix,” so the company doesn’t have to waste time explaining it and can just get around to selling the new version. 

And on this score, the strength of “The Matrix” also represents a risk for Warner Brothers: “The Matrix” comes with a kind of pre-awareness that may prevent a reboot from truly standing on its own.

One of the most enduring conceits of “The Matrix,” and one of the film’s strongest visuals, is the choice between a red or blue pill that Morpheus (Laurence Fishburne), a leader of the anti-machine resistance, offers to hacker Neo (Keanu Reeves), who has been exploring elements of the world that seem to have a certain wrongness. 

The red pill will offer Neo a chance to see and understand the reality of his existence, but at the risk that he will be shaken to his core, perhaps even shattered. 

The blue pill will return him to a relatively comforting existence without answers to any of the questions that have been dogging him, but with his equanimity and sanity intact. Neo chooses the red pill, of course, and our adventure begins.

But even if a rebooted version of “The Matrix” were to take us in a radically different direction, what would the red pill reveal to the next main character, and to us? And what would it mean?

Even if he or she doesn’t use the red pill at all, what would audiences perceive the movie’s real messages to be?

I ask this, because in the years since “The Matrix” hit theaters, that scene has been repurposed as a device for various factions of the alt-right, most famously so-called men’s rights activists. In this parlance, taking the red pill reveals not that humans are being kept alive by robots who essentially farm them for the electrical impulses in their bodies, but that women actually run the world, exploiting men with our demonic sexuality, denying men custody, shortening their life expectancy and making false charges of rape.

As Aja Romano argued in Vox, “The Matrix metaphor works for just about every conceivable social system you might hate; but the alt-right movement has explicitly used it to construct a protective feedback loop around its misogyny and white supremacy. 

In other words, if you disagree or offer an opposing viewpoint, to the alt-right, it’s because you’re still living within the Matrix — you’ve taken the blue pill, you’re a mindless sheep, a weak cuck, or a shill for the insidious threat of progressive identity politics.”

None of which is to say that Warner Brothers and writer Zak Penn, who is involved in the project, would lean into this interpretation of “The Matrix.” If nothing else, I can’t imagine that directors Lana and Lilly Wachowski, the directors of the original movie and its sequels, who are both transgender women and have emphasized the value of diversity and female leadership in their work, would support or even be minimally neutral in the face of such a repurposing of their concepts.

Any new version of “The Matrix” would arrive to an audience that is not merely pre-aware of the franchise’s foundational ideas, but is also in circumstances where at least some discussion and debate about the movie is pre-determined. 

Remaking “The Matrix” means not only are the artists who work on it walking a pre-trod path, but also their ability to say anything new and fresh will be further constrained by the environment in which the movie’s released.

It’s awful to think about artists being asked to repeat the same old story over and over again.

It’s worse to think that they might try to say something original, but in conditions in which no one will be able to hear or absorb the message.

https://www.washingtonpost.com/news/act-four/wp/2017/03/17/rebooting-the-matrix-is-an-even-worse-idea-than-hollywoods-usual-self-cannibalism/?utm_term=.2ab0a6ccb857

Dec. 14, 2021 My opinion: I first saw this movie when I was 14 yrs old at my friend Leslie's house.  I love the action, fight scenes, and special effects.  This was in 1999.

I also like the philosophy:

Mouse: To deny our own impulses is to deny the very thing that makes us human.

When I first read the articles above that the movie was going to rebooted, I lowered my expectations.  There are a lot of TV shows and movies that are announced, but then are changed or cancelled.  

2gether: There is a TV movie and I showed this to Leslie in fall 2001.  

Cut to the manager Bob talking to Mickey.

Bob: You'll be the bad boy, the rebel.
Mickey: Yeah, a rebel- like that dude in The Matrix!

I knew Leslie would laugh at that part because it made a reference to her favorite movie. 





Dec. 23, 2021 My The Matrix essay: This is something I wrote for my Psych 20 class in high school.  I was in gr. 11.  This was also taught by my Social Studies 23 teacher Mr. Smith.  The assignment was to write about one of the most happiest moments of your life.  I will have to type it up by hand:

One of the most wonderful experiences in my life was when I saw the movie The Matrix for the first time.  The Matrix introduced me to many new ideas about philosophy and life.  A philosophy was "The body can not live without the mind" (Morpheus) and I got an epiphany that your mind is everything.  It doesn't matter how you look like or what you are, your mind defines who you are.

Another quote from the movie was, "To deny our own impulses, is to deny the very thing that makes us human" (Mouse).  I understand then that would mean you would be repressing emotions, thoughts, and instincts.  Usually I'm more of a think than a doer, but this quote is telling you to do what comes natural to you.  I started to think differently on how you shouldn't deny who you are.  It's about being yourself and taking in your strengths and weaknesses.

The paper house scene where Morpheus is fighting Neo had a good lesson.  Morpheus says to him, "Your weakness is not your technique."  I then felt that you must always use your strengths and apply it whenever you can to achieve.

One of the most significant scenes in the movie I learned from is when Morpheus is talking to Neo when they're leaping from building to building.  Neo didn't make it to the next building and Morpheus told him he didn't because he didn't think he could.  I always knew a positive attitude and thinking is important, but this accentuated how big it is on achieving what you're set out to do.  The basis of everything you and the outcome of it is your thinking.



Mr. Smith gave this 8/10: "It is good/ interesting that you can take so much from this movie."  



This week's theme is about movies:


"Rough Night as rough draft"/ "Oh Henry, you could have been so much better" (The Book of Henry)






My week:


Fri. Jan. 14, 2022 Table Topic Dailies: After that, I attended this Edmonton Toastmasters meeting.  I met 1 new woman.  There were 3 of us.

We were talking about careers about why I chose to be a TV writer and producer, because I wanted to entertain people and make them happy.

The woman did work part- time in an office job and gradually to full-time.  I have done that working at the Soup place and my Hotel Restaurant job.


Sat. Jan. 15, 2022 Arthur's Perfect Christmas: I used to read these books in elementary school and I did watch the show when it came in 1996.  I was 11 yrs old and in gr. 6.  I watched it with my little brother.  P recorded this Christmas special and I decided to watch this on New Year's Eve.

I only saw this once when it first aired.  I remember DW not getting the toy she wants for Christmas and Francine celebrating Hanukkah.

Cut to dinner and I was talking to my little brother P.

Tracy: If Francine celebrates Hanukkah, then who celebrates Kwanzaa?
P: Brain.
The character's nickname is Brain, and his real name is Alan.


"Arthur, D.W., and their family and friends prepare to make the best Christmas ever in Elwood City - but obstacles get in their way."



Call Me Kat: I recorded a TV show and I saw the tale end of this show and the episode "Call Me Kerfuffled."  The Blossom cast came by for a reunion.  I used to watch Blossom when I was 9-11 yrs old.  The show was on syndication.

Hours later, I wanted to watch the show and watched on Telus on Demand.  I was watching this as I was going through a folder of physical news articles looking for certain topics.

I found the episode mediocre.  I don't really like sitcoms.


Mon. Jan. 17, 2022 Edmonton Become a Person of Influence! Meetup: Today I went to this Meetup.  There was one two weeks ago, but I couldn't get into the Zoom meeting on my tablet.  I tried a few times, like closing the windows and opening again.  Today I tried on my tablet, and then I went onto my desktop.

I got into the meeting on the desktop, but my camera and microphone wasn't working.  I had to type into the chat.  This was about synthetic imagination and creative imagination. This is from the book Think and Grow Rich by Napoleon Hill.  On the page is about organized planning, but that is for next meeting.

"Organized Planning: The Crystallization of Desire Into Action

To put your plan into action, Hill recommends following these four Think and Grow Rich steps:

1. Ally yourself with a Master Mind group that consists of people who will help you carry out your plan.

2. However, before assembling the group, be sure to ascertain what it is you can offer each of the members in return for their work.

3. Meet with the group at least twice a week, or more if possible, until a solid plan has been created.

4. Maintain good relations between you and the group at all times.

To obtain your fortune, you will need to collaborate with others. No individual can make it entirely on their own. If your plans fail, go back to the drawing board and keep trying until a plan works. 

Thomas Edison made 10,000 failed plans before he perfected the incandescent light bulb. His key to success was that he never gave up and kept formulating new plans when the previous ones had failed. To plan intelligently is the key to securing your fortune."



My opinion: The meeting was average.  I met 8 new people.  I like self- development so that's why I went there.

Table Topic Dailies: After that, I attended this Edmonton Toastmasters meeting.  I met 1 new woman.  There were 5 of us.

Tues. Jan. 18, 2022 Jose Moreno Brooks: I have been watching the TV show Queens, and this actor stood out to me.  He plays the music video director Rodrigo who dates Naomi (Brandy Norwood).  He's good looking in the handsome way.


"Kiss U Right Now by Duckwrth: In the episode "Who shot ya", they kiss.  This song was playing and I had to look it up.

I really like this R&B song.


Cleaning: Yesterday, my grandma and I wiped the living room and kitchen windows, and kitchen cabinets for 1 hr and 45 min.



"Woman takes selfie on top of her car as it sinks into icy river and rescuers rush to save her in Canada": Today I found this article by Arpan Rai on Yahoo news:


A Canadian woman who was rescued after her car sank through an iced river this weekend is facing severe criticism for taking a smiling selfie while her life was in danger.

Residents near Ottawa’s Rideau River used kayaks and ropes to pull the woman out of the river – but not before she took a picture on top of her sinking car.

Ottawa police officials said the car went through the ice in the south end of the river in the suburb of Manotick around 4.30pm on Sunday.

The car was being driven on the frozen river, according to witnesses, who said that it went through the ice and cold water, reported CTV News.

“Thankfully no injuries and an amazing job by local residents saving the driver by using a kayak and quick safe thinking. Another reminder that ‘No Ice Is Safe Ice’. Please use extreme caution this winter season!” the police department said in a tweet.

The woman driving the car has been charged with one count of dangerous operation of a motor vehicle under the Criminal Code of Canada, the police said.

Woman takes selfie on top of her car as it sinks into icy river and rescuers rush to save her in Canada (yahoo.com)

My opinion: I don't have a smartphone, and I wouldn't be taking a selfie if I had one.  I would be calling to them: "Hi, should I try to gently jump onto the ice?  I am light in weight."  However, I could still fall into the ice and it breaks.


"Boy's quick thinking saves neighbour stuck in snow": Today I found this article by Stu Mills on CBC news:

Ottawa paramedics say an eight-year-old boy may have saved the life of a neighbour Monday morning.

As snow piled up around his Donald Street home, Clayton McGuire's grandmother told him to look outside the window.

To Barb Dodge's experienced eye, it was winter event to behold — a storm against which future blizzards would be compared.

But it was the boy, and not his Nan, whose gaze settled on a familiar but unexpected shape crumpled in the snowbank outside the family duplex. 

It was a man, only partly visible and disappearing fast.

"Oh oh," said Dodge when Clayton gasped and jabbed his finger at the shape in the snow.

Clayton swiftly ran to tell his mother and father.

Once roused by his son, Joey McGuire rushed outside to assist the man, whom paramedics said was in his 70s.

McGuire guessed, by the thickness of the white blanket covering him, the pedestrian had been lying face down in the cold for 20 or more dangerous minutes.

While the McGuires helped the man to his feet and to their front steps to rest and Clayton fetched a hot drink and a blanket, paramedics arrived. 

Though grateful the storm had delayed his return to class so that he might be home to spot his stricken neighbour in a time of need, Clayton McGuire was not leaping for recognition.

"I helped a guy," Clayton offered tentatively when asked how he would describe his morning to friends back in school.

"I saved someone," he added, finally, after some encouragement from his grandmother.

"I'm very proud of him," McGuire said of his son.

911 call can make 'whole difference', paramedics say

The boy's heroics caught the attention of the mayor, with Jim Watson tweeting, "Way to go Clayton! Thank you for helping this man in your community. You are an amazing and very kind person."

Ottawa Paramedic Service spokesperson Andre Mollema pointed out that Clayton's sharp eyes may have saved the man. 

"Anyone who makes the call to 911 when help is required can be considered a hero," said Mollema.

"You made the whole difference."

Mollema said paramedics treated the man on site and that he declined to be transported to hospital.

Clayton acknowledged his new role as "the neighbourhood watch guy," and vowed to keep an eye out for people in need of assistance.

Boy's quick thinking saves neighbour stuck in snow | CBC News

My opinion: This safety tip is for everybody walking in the winter time, but mainly for seniors: Please be careful walking on icy and snowy sidewalks.


"'Congratulations, it's a girl': Canadian doctor helps deliver baby mid-flight": Today I found this article by Adina Bresge, (The Canadian Press) on Yahoo news:





TORONTO — Dr. Aisha Khatib was hoping to catch some shut-eye on the final leg of her multi-stop plane voyage from Toronto to Entebbe, Uganda.

But the Canadian doctor says those plans were dashed when a little bundle of joy decided to arrive mid-flight.

About an hour after taking off from Doha, Qatar, last month, Khatib said she was settling into her seat when she was roused by an announcement asking if there were any medical personnel on board.

The University of Toronto professor, who specializes in travel medicine, said she flagged down a flight attendant who ushered her through rows of sleeping passengers toward the back of the plane.

Thankfully, the rest of the delivery went smoothly, said Khatib, and once she was confident both the woman and her baby were stable, she told the new mother: "Congratulations, it's a girl."

"The entire plane erupted with clapping and started cheering," said Khatib, who estimates the medical emergency lasted about 20 minutes. "I totally forgot I was on a plane and everyone's watching this."

"I was babysitting very happily and cuddling the baby," she said, adding that the flight attendants were very attentive to the extra passenger. "That baby definitely got a lot of love on that flight."

Khatib said the mother told her she would name the baby "Miracle Aisha" in her honour, and in return, she gifted the newborn a gold necklace with her first name written in Arabic.

"I had to give it to my namesake, so that down the road, she knows where she came from," said Khatib. "Dr. Aisha delivered her 35,000 feet in the air."

This report by The Canadian Press was first published Jan. 18, 2022.

Adina Bresge, The Canadian Press

'Congratulations, it's a girl': Canadian doctor helps deliver baby mid-flight (yahoo.com)


"Home fires fizzling"/ "Like mother, like daughter" (Home Again)

Sept. 8,2017 "Home fires fizzling": Today I found this movie review by Chris Knight in the Edmonton Journal:

There’s a world of difference between a film that gets under your skin and one that just gets on your nerves. Home Again, a mostly inoffensive rom-com, strives mightily to be the former, but time and again I found it bugging me by degrees. If this movie were a first date it would have spinach in its teeth and be constantly checking its phone.

Reese Witherspoon is in full-on Mom mode as Alice Kinney, who has split from her husband (Michael Sheen) and is raising two adorable kids in what used to be her parents’ rambling L.A. mansion. At the urging of friends, she parties heartily on her 40th birthday, and winds up in the arms of 27-year-old Harry (Pico Alexander).

Harry is a filmmaker. So are his two tag-along best friends (Nat Wolff and Jon Rudnitsky). In fact, everyone in this movie seems to be connected with the business – no surprise when you consider that first-time writer-director Hallie Meyers-Shyer is the daughter of five-timer Nancy Meyers (The Holiday, It’s Complicated) and too-many-to-count Charles Shyer (Father of the Bride).

So that would explain Home Again’s fetishization of the film world; Alice’s childhood home contains a room full of her late father’s notebooks, original screenplays and Oscar statues. And her mother is Lillian Stewart, a renowned beauty and actress much younger than her late husband – or in other words, Candice Bergen playing herself.

After that one crazy night – and with a little prodding from Lillian – Alice decides to let Harry and his friends stay in her guest house. One of the pals is a tech wizard, while the other bonds with Alice’s daughter, helping the kid come out of her shell and become a writer, because really, what other career options are available in this film? Alice tries to be responsible and keep Harry at arm’s length, while on the other side of the country, Sheen’s character frets and wonders whether he and Alice should reconcile.

Meyers-Shyer deserves credit for creating an older-woman-younger-man romantic entanglement and making it both warm and believable, but she squanders this good will on some lazy screenwriting. 

To wit; I counted at least five scenes in which characters are clearly speaking to one another, but rather than hear what they have to say and learning more about them, we are treated to a blanket of anodyne pop music instead.

By the third use of this technique, the film started to feel more like a beer commercial than a comedy. And in one instance, though we can’t hear what’s he saying, Harry is clearly talking over a movie the characters are watching projected on a sheet in the backyard. How would you feel if I treated you this way, Home Again?

Thus grumpified, I was less than forgiving when the film introduces a parody of a movie producer only to have one of the characters shake his head and say: “He was a parody of a movie producer.” Well, of course he was! 

And this after we get Lake Bell as the parody of an annoying home-décor client, and a scene in which Alice has a parody of a bad dinner date. Not to mention the parody rendition of “will X make it to Y’s school recital on time?”

Meyers-Shyer must have spent a lot of time on film sets growing up – her credits include bit parts in her parents’ movies – but the movie moments in this one feel like someone who only knows the business from afar.

I’m reminded of a scene in the 2008 film Rachel Getting Married, in which two men square off over who’s better at loading the dishwasher. It’s a memorable bit, but it’s also drawn from real life; writer Jenny Lumet is the daughter of director Sidney Lumet, and as a child witnessed her dad and choreographer Bob Fosse having a dish-off during a dinner party. The closest that Home Again comes to that kind of personal touch is a parody of a personal touch. The audience deserves better.


http://nationalpost.com/entertainment/movies/if-home-again-were-a-first-date-it-would-have-spinach-in-its-teeth-and-be-constantly-checking-its-phone

"Like mother, like daughter": Today I found this interview by Michael O' Sullivan in the Edmonton Journal:


With her filmmaking debut, "Home Again," a romantic comedy about a 40ish single mom who embarks on a fling with a much younger man, Hallie Meyers-Shyer proves that she's her mother's daughter.

Mom, in this case, is filmmaker Nancy Meyers, a cinematic powerhouse with a track record of hit rom-coms that includes "What Women Want," "Something's Gotta Give," "The Holiday," "It's Complicated" and "The Intern" — along with a reputation for luxe production values that has earned her the sobriquet of "queen of interior design porn." 

No slouch in the romantic comedy biz himself, Hallie's father, and Nancy's ex, is writer-director-producer Charles Shyer ("Father of the Bride").

In "Home Again," there's no mistaking the influence of Meyers, who was a producer on the new film. The story centers on interior decorator Alice Kinney (Reese Witherspoon), who, after an ugly breakup, has moved from New York to the comfortable Los Angeles home she grew up in with her late filmmaker father and retired actress mother (Candice Bergen). 

True to the values of a Nancy Meyers movie, that house — which is sure to inspire design lust — takes center stage. It's there that Alice takes in three 20-something filmmakers as lodgers: a sensitive writer (Jon Rudnitzky), a tech-savvy actor (Nat Wolff), and a sexy director (Pico Alexander). The latter becomes, briefly, Alice's boy toy.

Meyers-Shyer, 30, spoke by phone from Los Angeles about her debt to her parents and her desire to make her own way in the Hollywood jungle.

Q: Your mother's influence is apparent, particularly in your film's attention to meticulously curated domestic interiors. I was struck by one scene around the breakfast table that featured platters of bacon on blue-and-white china. It was so mouthwatering and pretty, it was almost distracting. How important is production design to you?

A: Of all possible things I learned about from my mom, food on the table is just the smallest possible thing that she could have taught me. The larger lessons — about having great heroines and great stories, about how warm and inviting her films are and how feminine they are — are the themes I hope I carry on from her, more than anything having to do with set design or food. That said, my film does take place largely in a home — and many of her films do as well — where the house is a big character. I really hope that "Home Again" reflects me and my sensibilities.

Q: After graduating from the New School in Manhattan, you spent a year studying film at USC. But you've said your real education came on your parents' film sets growing up. If you're trying to cut the apron strings, why work with your mother?

A: Carrying on the family business is a hard thing. As a debut filmmaker, you want to feel like you are paving your own way. But there was nobody better to have with me than someone who has been making, for so many years, romantic comedies with strong female characters. The thing I learned most from my mom was about layering my characters and making them nuanced, and not just types.

Q: Alice's parents, like yours, are filmmakers. They seem to have been based on director John Cassavetes and his actress wife, Gena Rowlands. Is that deliberate?

A: You're absolutely right. The character of (Alice's father) is an amalgam of several 1970s filmmakers: Cassavettes; (Peter) Bogdanovich; (Paul) Mazursky. They were my influences while writing the film. The way in which I wanted to portray Los Angeles was inspired a lot by '70s films. I wanted to find a way to infuse that into the story, so I made him a '70s filmmaker. I wanted him to be someone who these three boys — who are true lovers of cinema — would be excited about to thumb through his scripts and photo albums. I consider the movie a love letter to film and Hollywood.

Q: Are you a particular fan of '70s American cinema?

A: Yes, I am. It's my favorite era. I watched a lot of movies from that period for research.

Q: You weren't even born until 1987. How did you fall in love with that period?

A: I went to film school for a bit. 

Mostly, though, I watched a lot of movies with my parents. Movies of the '70s feel very grounded and character-driven to me. I love Jack Nicholson. I love Warren Beatty in "Heaven Can Wait" and "Shampoo."

Q: Who do you relate to most in this film?

A: I find a little of myself in every character. I relate to Alice, of course, but also to the three boys trying to make it in Hollywood. I relate to Alice's anxious older daughter, but also to the youngest daughter, because I also have an older sister. I can even relate to Alice's ex, Michael Sheen, back in New York City. I put myself in every character.

Q: Do you perceive a decline — or, as some have said, a crisis — in romantic comedy?

A: It used to be a more commercial genre for studios, for sure, one in which big actors would star, going back to Cary Grant and Katharine Hepburn. It had great actors, major studios, big budgets. But it's not just romantic comedies that have declined, as I see it. 

Movies about human beings are not being made as often. They've been replaced by superhero movies, action films. It's not as easy to get a romantic comedy made, but there is an audience for it. "The Big Sick" was a great example, and it showed that people want to embrace the genre.

Q: Is there a gender divide in the audience? Is there something about rom-coms that has ghettoized them as women's films?

A: "Home Again" is a woman's story, through and through. Women do like romantic comedies, but in my experience, men love them, too. I'm excited that an underserved audience is being served in this film.

Q: And that underserved audience is ...?

A: Women.

Q: ... or simply people who don't want to see another movie about space aliens?

A: Absolutely, that, too. One hundred percent.

Q: There's a great line in the film about how, between the three guys who are living in Alice's pool house, she has managed to combine the package into one perfect man: One's her baby sitter, one's her tech-support guru and the other is her lover.

A: I can't take credit for that line. The reference to the brains, the heart and the nerve is from "The Wizard of Oz."

Q: It's a sad commentary on the male gender that it takes three of us to make one whole person.

A: I think "Home Again" is a really empowering movie for men. These are three passionate men who have real interests. It shows men in a really positive way.

Q: There's another funny line, where a sleazy Hollywood movie producer tries to get the "boys" to change their vision for their first movie from a black-and-white art-house drama to a "found-footage love story." Sounds like that one might come from personal experience.

A: Yes. When you're writing, you get to make a little bit of snide commentary. I definitely drew from past meetings with producers.

Q: The guy and the girl don't end up happily ever after. Are you trying to rewrite the rules with your first movie?

A: That's just how the rom-com genre has been characterized. "Home Again" looks and feels like a romantic comedy, but ultimately that's not what this movie is about. It's not about a woman finding a man. It's about a woman finding herself.

http://newsok.com/article/5562972


My opinion: I don't really like romantic comedies.  However, I did like the review and the interview because I learned about screenwriting and storytelling.

"Rough Night as rough draft"/ "Oh Henry, you could have been so much better" (The Book of Henry)

Jun. 16, 2017 "Rough Night as rough draft": Today I found this movie review by Chris Knight in the Edmonton Journal:

You’ve got to hand it to Kate McKinnon. The Saturday Night Live cast member is determined to take back the inflection, turning the tables on legions of Aussie actors who regularly pretend to be American in movies. The fact that her own Australian dialect ranges from Perth to Canberra and occasionally into New York is just part of the fun.

But that kind of doing-it-badly-for-laughs can only take you so far. Rough Night, the feature writing/directing debut of Lucia Aniello (TV’s Broad City), tries to be a little Bridesmaids, a little Weekend at Bernie’s, and comes off as a collection of hits and misses. There are laughs, but I would hesitate to add the adjective “aplenty.”

As an example of a miss, take the scene in which the bachelorette party, headed up by Senatorial hopeful and bride-to-be Jess (Scarlett Johansson), tries to smuggle a dead stripper out of the house they’ve borrowed for their wild weekend. Of course, the only vehicle they can access is a tiny Smart car. But there’s no explanation as to why all five women feel the need to pile in together, thus requiring Mr. Dead Guy to poke out of the sunroof. I like an overstuffed-vehicle gag as much as the next critic, but give me a reason to buy in.

Much funnier is the scene where we first see what Jess’s fiancé (Paul W. Downs, the film’s co-writer and one of the many Broad City alumni in the cast) is up to at his stag night. Let’s just say there will not be a Hangover-style sequel to Rough Night. And there’s a throwaway Rob Lowe joke that might be the funniest thing I’ve heard in a movie this year.

But all too often the screenplay grabs for the lowest common cliché. Jess and her posse – they include Jillian Bell, Zoë Kravitz and Ilana Glazer – arrive in Miami? Cue Gloria Estefan’s Conga song from 1985, laid over a montage seemingly borrowed from the local tourism board. They’re walking down the sidewalk? Let’s put them five abreast and in slow motion!

Or how about the ol’ “I am not doing that!” line, followed by a cut to the speaker doing that.

The movie also spends scant time on the emotional lives of its characters. We first meet them tearing up a college campus in 2006, before moving to the present day to find they’ve drifted professionally while remaining in touch. Bell’s character is clingy, Glazer’s anti-establishment, Kravitz’s all-too-establishment. And Johansson’s fledging politician is worried about what a night of drugs and strippers will do to her campaign chances – though not worried enough to put a stop to it.

It’s all kept pretty light, which is quite a feat when the death-of-a-male-stripper is the central plot point. But it needs a little more for its cast to do. 

Ty Burrell and Demi Moore pop up as horny neighbours who horn in at several inconvenient moments, but conveniently disappear the rest of the time. Rough Night feels like a rough draft, one that could have used at least one more pass by its writers before committing it to the screen.

http://news.nationalpost.com/entertainment/movies/with-the-hilarious-exception-of-kate-mckinnon-rough-night-feels-more-like-a-rough-draft

My opinion: I'm probably not going to watch this movie because I don't like comedy.



"Oh Henry, you could have been so much better": Today I found this article by Tina Hassannia in the Edmonton Journal: 

The Book of Henry is about a boy, his mom, his little brother and the girl next door. That’s what Henry (Jaeden Lieberher) says through voice-over narration, but only at the end of the film.

There’s no purpose to such a contrived line other than screenwriter Gregg Hurwitz (a comic book and crime-novel writer) and director Colin Trevorrow (director of the upcoming Star Wars: Episode IX) believing that their audience is stupid. 

The film’s premise is even dumber: Henry’s mother Susan (Naomi Watts) plans to kill child-abusing neighbour Glenn (Dean Norris) through a methodically planned sniper mission that her 11-year old genius son laid out through comprehensive notes and voice memos.

But wait, isn’t this supposed to be a feel-good family drama? The look and feel sure spell it out: Henry’s tree house looks like something out a Roald Dahl novel, chock full of Rube Goldberg contraptions, intended to endear us to the world-weary 11-yearold; the younger, bespectacled adorable brother Peter (Jacob Tremblay) needs Henry’s help from school bullies; their mom’s corny bedtime routine features a lullaby and toy ukulele. 

But Hurwitz and Trevorrow don’t have the patience for a single genre, so they mash up a variety that include traumatic medical drama and a taking-justice-into-your-own-hands thriller. Such Frankenstein movie magic leads to a tone-deaf, ghoulish, campy and overwrought film.

The film makes no sense. Henry is the adult of the house, managing the finances, while Susan blows off steam from her waitressing job through video games and carousing with her floozie co-worker (Sarah Silverman, working far below what she deserves, but then again, the same goes for everyone cast in this movie). 

If that’s slightly believable, Henry’s stock trading acumen that has resulted in $700,000 in a bank account, is not. Susan shrugs off Henry’s practical suggestions to quit or buy a new car for no reason, making her sound silly, yet we somehow are to believe she can carry out murder.

Would it kill the screenwriter to maybe flesh out a character past the nanosecond devoted to each story element? 

Hurwitz and Trevorrow don’t have such patience, though, they’ve already fast-forwarded to the traumatizing medical issue that lands a huge bomb in the middle of the movie, tonally shifting it with the abruptness of an earthquake. 

Without spoiling anything, let’s just say it accomplishes little more than giving Susan a reason to start “adulting” again and gives Lee Pace a useless role as a handsome doctor to suggest what this movie might have been if Hurwitz and Trevorrow liked rom-coms.

About Henry’s murder plan, by the way: His titular book, which plots out every conceivable detail, also includes rationales on why killing Glenn, a well respected community man, is the only way to save his victim. 

Yet Henry’s efforts to expose the abuse are half-assed at best. He never once tries asking an adult like Susan to voice the complaint, for example. Getting away with murder, the film suggests, is easier than reporting child abuse.

The film’s convenient ending confirms that The Book of Henry is uninterested in exploring the idea that powerful men can be infallible. 

In fact, there are no ideas at all here, just one contrived plot element set up to trigger off another. 

Think of The Book of Henry as a broken Rube Goldberg machine — all the cutesy steampunk doodads are for naught without proper planning to make it function.



My opinion: I'm probably not going to watch this movie.  I read this review and I saw the trailer and it doesn't look very good.

Friday, January 14, 2022

"Our things, ourselves"/ "Give yourself some breathing space"/ "Saskatoon woman reunited with lost wedding necklace 6 months later"

I'm posting these articles because usually at the end of the year or the beginning of the year, a lot of people are decluttering or organizing their homes.  You can do that any time of the year, but it's common to do that now. 


Apr. 13, 2017
"Our things, ourselves": Today I found this article by Karen von Hahn in the Globe and Mail.  This is a deep and meaningful article with some psychology:



It’s now modern – at least for those of us in the overindulged West – to profess a preference for experiences over things. Experiences are widely acknowledged to last a lifetime, while our tendency to acquire is a sort of dirty habit we are supposed to overcome with some restraint, like smoking or eating carbs.

Whether this distaste with the material world has anything to do with the rise of the virtual or digital one, a severe, almost repentant minimalism is so in among millennials that the chronicles of those who have vowed to live with less seem more of-the-moment than shopping guides.

Beyond whatever pleasures there might be in self-denial (if anyone knows, please do share), this kind of thinking misses the point entirely. As those of us who have survived the final disassembly of their parents’ home can fully appreciate, there is a deep-rooted connection between the things acquired over a lifetime, and human experience. 

So much so that as we clear the contents of the bedroom or the living room of someone who was central to our lives and is now gone, almost every single thing they have left behind seems to radiate with meaning and memories.

But beyond the grave and final reckoning of our things and our selves, aren’t the triggers to our memories almost always objects? Whether it’s a story of acquisition or discovery, or a sense memory like Proust’s madeleine, our things are like 3-D printouts of our stories. And it is so often the thing above even the thought or idea that starts the reverie of recollection.

Consider the T-shirt you stole from your high-school boyfriend that’s still in the back of your top dresser drawer. The box of mints with the green-and-white striped label that were your grandmother’s favourite. The hand-woven bag you got that time in Mexico, or the worn carpet in the family room that you bought because it always reminds you of your favourite children’s book with its funny animal parade.

Hence nostalgia. The voyeuristic draw of the vitrine, or cabinet of curiosity. The haunting immediacy of a photo collection, or the emotional pull of the keepsake or memento.

Even the notion, from the 12th century French for “to remember, or come to mind,” of the souvenir. 

Each of us, it turns out, has a lifelong sideline in the museum business as curators of our own little dioramas of our tastes and aspirations – and, yes, experiences. By collecting, preserving and displaying our precious things we defy our mortality by attempting to live on in memory.

How and why the things that we acquire and surround ourselves with have become the containers of our stories, if not actual expressions of ourselves is something I have attempted to explore in a new memoir about my late mother called What Remains: Object Lessons of Love and Loss.

Each chapter centres on a different thing or object that reminds me of her. Each of these items, which range from silver satin sofas to a pack of Craven “A” cigarettes, I use as a starting point, lens and metaphor to talk about who she was. The first line of the book is that the last word my mother ever said to me was “pearls.”

While this might be a novel approach to memoir, I am hardly a pioneer in looking at material culture in this way. The idea that our possessions have totemic powers is an ancient one.

Early peoples treated their things as meaningful in ritual and rite – some so precious that they planned to take them along in the afterworld by being buried with them. What is the science of anthropology if not an acknowledgment of the importance of objects in human culture? 

The archeological dig – an exercise in unearthing memory through possessions – is a search for clues as to how lost cultures lived and what they cared about through what they had and kept and used.

Not only is it very old, its also basic. After “Mommy” or “Daddy”, or something random and domestic like “cat” or “apple,” one of the very first words a young child learns to say aloud is “mine.” And of course they are often inclined to say it with ferocity, as if their very being was at stake. To “have,” at least according to Jean-Paul Sartre, is as essential as the verb, “to be.”

Our things may not literally be us, but they do offer both insight and reflection into what makes each one of us tick. Like it or not, we read every book by its cover, and judge everyone we meet by their shoes. 

Which is why we live our lives engaged in a deep and meaningful relationship with both our possessions, and also those of whom we love. This isn’t a sad result of “consumer society”. It is merely human.

Karen von Hahn’s book What Remains is published by House of Anansi Press.




Apr. 21, 2018 "Give yourself some breathing space": Today I found this article by Lindsay M. Roberts in the Edmonton Journal:

There is a method, but no madness, to the type of minimalism espoused by Cary Telander Fortin and Kyle Louise Quilici. The organizing experts and authors of “New Minimalism” argue for something a little more practical than a strict 37-piece clothing wardrobe or a monastic-looking house. “It’s not extreme, not hyper-industrial, not only for single men, but for everyone and looks however you want it to look,” Fortin says.


She and Quilici started developing this more practical take on the less-is-more lifestyle when they met at a yoga retreat in San Francisco in 2011. They discovered they were seeking a slower, calmer life; Fortin wanted to leave her corporate job and learn to live within new means, and Quilici was trying to put sustainability into better practice. 
Their mutual passion turned into a blog, the book and, in 2013, a business, also called New Minimalism, that helps clients find their own decluttering way.

Fortin and Quilici are more about ending the cycle of “busy” than creating a perfect house. As Quilici explains: “Minimalism is a tool that you use to uncover what it is you want most in life and to get that space to breathe. It’s not the goal,” but a way of prioritizing “working within the space of 24 hours a day, seven days a week.”


So how does this kinder, gentler method work? The two have some tips.

Before you dig in and sort your shoes, it’s about asking yourself why you are doing it. 
“Why is now the right time? 
What are you hoping to get from this? 
What do you want your space to feel like?” says Fortin, who now lives in Boise, Idaho. 
“If you start decluttering before you know the answers, you’ll get lost along the way.” The clients who are clearest on their priorities are usually those going through a transition, she explains, such as an illness, a divorce or a new baby. They’re saying, “I want my stuff to work for me instead of me working for my stuff.”
Have someone with you
“It’s great if you can have a friend with you, rather than a partner who is invested,” Fortin advises. “Find someone who can bag up the stuff, donate, mend . . . and someone who can say, ‘I know you love that, but there’s a hole in the armpit.’ You want someone honest and kind.”
Start with your closet
The best part about beginning with your clothes is that “you don’t have to get buy-in from partners or kids,” Fortin says. “You can lead by example, and it’s a great, clarifying, universal place to start.”

Then go category by category
“We recommend the deep-dive approach,” Quilici says. “You do one category of things so that you’re done. Get back to zero. If you don’t have time to go through all of your clothes in one day, pick one subcategory that you can go through all at once: all jackets and tops. Then you can see the volume of what you have.”
Define what full is
Start with your boundary before you pare down. Say to yourself, “This house is big enough for my family,” and then make your stuff fit in it comfortably. Or say, “This drawer is enough for my socks,” and discard those solo, holey and uncomfortable socks until your sock collection fits comfortably into that drawer. Once you’ve decluttered and you later open a cabinet or closet, enjoy the breathing room and tell yourself this is what full looks like.
Let one stand for many
Clearing out the sentimental items is usually the hardest part of simplifying, so Fortin and Quilici suggest letting one special item stand for a memory or person. If your grandmother collected china, Fortin explains, but you have neither a love of china nor the space to store it, maybe keep a favorite teacup and saucer to remember her by. “You have to think, ‘My grandmother isn’t in this china,’ ” she says.
Fewer things can mean better things
“You have to have durable, well-made things if you want to rely on two pairs of jeans and you wear them every day. There’s a little bit of an investment there,” Quilici says. In the long run, though, she and Fortin say they hope for a philosophical shift in thankfulness and appreciating what we have. “We’re coming from a place of gratitude,” she says. “It’s a privileged conversation.”
Be a grateful gift receiver
Once you’ve simplified your possessions, it’s okay to tell people about your preferences for gifts for you or your kids, but it’s still important to be gracious. Allow gift receiving to be a “beautiful exchange of energy,” Fortin says, “and then if you use the toy later, great, but if you don’t, you can let it go.”
It won't all look the same
After reducing your possessions and schedules to a comfortable place, it’s time to redecorate, move furniture around, position mementos as art, etc. Don’t worry about your minimalism looking like someone else’s or any magazine’s. As Fortin and Quilici write in their book, “Let your freak flag fly.” This is your minimalism, and it can look boho, funky, uncool or very cool.
Minimalism is really about time
“We work with a lot of families where both parents work,” Quilici says. “If you want to know someone who knows how precious time is, it’s those families.” Think about what you would rather spend your time on than hunting for something in a drawer or organizing on the weekends. This motivation will help you get started, do the deep dive and then commit to the maintenance.


There are 46 comments about people and their decluttering experiences.  There are a lot about donating and giving furniture and kitchen items to younger and poorer friends who would need and use this.

The other blog posts are:

"Office-less companies risk alienating Gen Z"/ "Over half of remote workers would consider quitting before returning to office, poll finds"



"Google employees who opt to work from home may earn less than they did before"/ "These people were able to take their big-city salaries to more affordable towns




My week: 

Meetups:

 Jan. 9, 2022 Camille Virginia: Meet People, Your Match in Real Life: I went to this online presentation last week.  She is the author of The Offline Dating Method.  I wrote notes:
Ask questions like casual and contextual.  If you are at the grocery store and he's holding a box of granola bars, ask: "What kind of granola bars do you like?"

My opinion: This was very good and helpful for anyone who wants to meet new people.  After I watched this, I was in a good mood.  This was like those dating videos I watch on those free online series.

2022: Practices for higher living: I went to this online presentation yesterday.  This was like those self- development videos I watch:

"The new year offers us an opportunity to reflect on our path, align with our higher calling, and set conscious intentions for growth. Since all of existence is Primal Energy, this is also the time to examine how we use the energetic structures in our life - our time, focus, and relations with self and others.

To make this year the best year ever, we will focus on the following core practices:
1. Eliminate toxicity from our lives
2. Reclaim our physical and mental resources for a higher purpose
3. Align with Joy
4. Cultivate awareness of how we create our reality

This is a free webinar organized by Children of Infinity, a non-commercial, non-denominational organization dedicated to serving those who seek higher truths."

My opinion: This was good and all, but I already know and do everything that was said there like:
Cut down on consuming the news: You can limit to 5 min. a day.  Set a timer.
Go on a social media detox like: 30 days off from Facebook.
Meditate
Read more instead of watch TV.
It's ok to watch TV sometimes.

Jan. 11, 2022 Edmonton Toastmasters Clubs: There are a lot of these.  There was one that I spontaneously entered in an online meeting.  The other 2 above were presentations.  This one I actually interacted.
"Do you want to meet some new people while improving your ability to think on your feet?

Come join us for a free and quick practice session every night at 8 pm MST!

How it works:

- Each person prepares 2-3 questions about any topic and can be directed to anybody they want.
- Each person answers 2-3 questions so there's ample opportunity to practice.
- Everyone will keep track of their own time so please have a timer ready for the meeting. Please try to keep each table topic response to 2 minutes max.
- Duration would be about 30 minutes for each meeting, but can be flexible.
- If you want any feedback on particular areas for improvement, please let the group know at the beginning of the table topic session."

My opinion: I went to the one on Sun. and on Mon. night.  I wrote a bit, but I should ask for the organizer's permission to write about their responses to my questions.

I can write here about what questions I asked:
Which is worse?  A teen girl who gets pregnant by accident or on purpose?
Do you have a driver's license and was it hard to get?
A weird coincidence that I asked you that driver's license question to a professional driver.

I got asked: "Why did you join this Meetup group?"
Tracy: Well, it was kind of spontaneous.  I came in last night late.  This is online so it's easy to get to.  I'm curious and inquisitive, and I ask questions.  I like to know about people's opinions, point-of-views on the news/ current events and TV shows and movies.  This is kind of fun and interesting so you don't know who is going to get asked next and what question will be asked.

I told them the night before that I was trying to get my TV script produced.  The next night I was asked what The Vertex Fighter was about.  I gave them this and the links to both my blogs:

"The Vertex Fighter is about a young man named Shawn Stiller who is trying to escape his criminal ridden past and start a new life in a new city. A chance meeting with a stranger proves that the task will be difficult when he is offered a job as an illegal cage fighter. Shawn takes the opportunity to make thousands of dollars a week, but at what price?"


Dec. 27, 2021 "Waning protection from 2 doses shows need for COVID-19 boosters, says head of Ontario's science table": Today I found this article on CBC news:

Protection provided by COVID-19 vaccines against infection by the novel coronavirus has waned dramatically since the highly infectious Omicron variant started spreading across Ontario, according to data from the province's Science Advisory Table.

The data shows that while having two doses does protect against severe illness among those who contract the virus, its ability to prevent infection altogether is plummeting, said Dr. Peter Jüni, the group's scientific director.

Vaccine protection has fallen to 14.9 per cent — from nearly 90 per cent a month ago — for people who have received two doses, according to the data. 

"Vaccine protection against infection is melting like snow under the sun," Jüni said in an interview on CBC News Network. "Omicron is evading the immune system.

"In reality, there is no way — if it comes to infection — to distinguish anymore between a person who is not vaccinated and a person who has received two doses."

Waning protection from 2 doses shows need for COVID-19 boosters, says head of Ontario's science table | CBC News

Jan. 11, 2022 My opinion: I am fully vaccinated.  I wasn't going to get my booster shot until my big sister S said so and I read the above article.  Last week, my parents wanted to get the booster shot too.  I called one Shoppers Drug Mart and they didn't have them, so I called another one and they said they had enough for us.  We went there the same day. 


Jan. 10, 2022 "Saskatoon woman reunited with lost wedding necklace 6 months later": This is a happy story:

It's been weeks since Christmas, but one Saskatoon woman is still in awe of a special gift she received over the holidays.

Last June, LeeAnne Benjamin lost her 20-year-old wedding necklace — a thaali, as it's known in Indian culture — which was gifted to her by her late mother-in-law.

"We could easily replace it with another piece of gold — but we could not replace it with one that she had chosen with me, that she had touched and placed around my neck," Benjamin said. "It was irreplaceable."

Having dealt with the deaths of her mother-in-law and father just months apart last year, Benjamin said losing her thaali compounded the feelings of grief for her and her husband.

"It was just this symbol of the loss that we were going through," she explained. 

For months, Benjamin and her husband retraced her steps, putting up notes around the city and on social media, garnering help from the community along the way. But they still came up short.

"We kind of gradually accepted the fact that we were not going to get this back," she said. "I thought, 'Life goes on. We're happy, we're healthy — move on.'"

They met up and the woman gave back the thaali. Benjamin's husband promised to return the favour to the single mother with a food and toy hamper for her family — something Benjamin unknowingly helped put together.

At that point, her husband explained what had happened and told her they had a special delivery to make to the woman and her children.

"It was just this really beautiful moment where we could give her these Christmas gifts, but at the same time, she gave us back so much more than that," Benjamin said. "It was just this beautiful symbol that there is hope."

Saskatoon woman reunited with lost wedding necklace 6 months later | CBC News