Sept. 29 Agents: I found this website to get dramatic agents. I
found Association of Aurthor's Representatives through
the Linked In Group Two Bits. I went through it, and this is more for agents and not writers looking for agents.
I then went on the page where there are links of
them:
http://aaronline.org/DirDrama
Abrams Artists: This is in LA and NY. http://www.abramsartists.com/about.html
Curtis Brown: This is in NY and they have made so many books into film and TV like Ella
Enchanted. http://www.curtisbrown.com/film.php
Susan Gurman Agency: This is theatre. http://gurmanagency.com/
I went through all 9 of them, and most of them I can't send anything to them because they're not looking for what I wrote.
Blogs:
There is a page where it has links to all these publisher's blogs.
However, the summaries often talk about publishing for literary and not
TV agents. Still check it out:
http://aaronline.org/blogger
All Freelance Writing: Also
from Two Bits, I found this website called All Freelance Writing.
There's a tool called Freelance Writing Rate Calculator. It's
practical. You put in your salary, days you work a week, days off you
need for holidays and vacation. Then press "calculate" and it will say
how much you should charge.
This is a really good and informative website because it has all these articles, writing
tips, how to build a portfolio, forums, etc. I'm going to bookmark this site.
http://allfreelancewriting.com/freelance-writing-rate-calculator/
Scriptathon: I
got this from the Great American Pitchfest. This is 30 day
screenwriting marathon and competition. The script you write in the
contest, you could win $1000, the Final Draft software program, agent
consultation. http://www.thescriptathon.com/prizes.html
Write Brain Workshop:
I like the quirky name. This is also from GAPF. Anne Norda is a
writer/ director/ teacher who gives screenwriting workshops. There's a
blog on it and it gives writing tips. Her classes are more about being
more creative and getting over writer's block.
Here's a description of her class on here site:
"Tap into the flow of your
own creativity. Experience different ways to deepen your relationship to your
story, your characters and your imagination. Learn techniques to explore new
perspectives in your own storytelling. " http://nordawritingworkshop.weebly.com/
Chris Craddock: I also emailed the Writer in Residence 2010 Chris Craddock on Facebook. He emails back saying he remembers me.
Oct. 1 Linked In:
One of my Professional Writing college friends confirmed my invitation
on Linked In. She's using her writing skills as a career.
Inspiration: I was on Two Bits writing group. I found this inspirational:
Truckstop Bloodsuckers: The new Avenue magazine came out today. There was an article about Truckstop Bloodsuckers.
It's about two waitresses who are vampires as they run Little Hope
Diner. It turns out a EPL writer in residence Chris Craddock mentioned
it on Facebook when I was at Bite.ca.
I read the article and
tuned into the first ep which is 6min long. I had called this one
person about volunteering and she said they're filming in the Lunch Box
Diner back in May 2012. I had a Mother's Day Dinner so I couldn't go
and volunteer.
It's kind of funny and quirky. This will be aired on bite.ca until it's released as a feature-length film on Bite TV on Oct.
31.
http://www.bite.ca/videos/truckstop-bloodsuckers-ep-1-the-secret/
Script editor: I picked up this work book called Multiple Choices: Planning Your Career for the 21st Century
written by alis.alberta.ca. It was from my career counseling office at
MacEwan. I read it months ago. There's a section where it goes by
industries like entertainment. It seems like something I would be
totally interested in, writing for TV.
On Wikipedia, it says:
A script editor is a member of the production team of scripted television
programmes, usually dramas and comedies. The script editor has many
responsibilities including finding new script writers, developing
storyline and series ideas with writers, ensuring that scripts are
suitable for production. The script editor will work closely with the
writer at each draft of their script, giving the writer feedback on the
quality of their work, suggesting improvements that can be made whilst
also ensuring that practical issues like show continuity and correct
running time are adhered to. Unlike the writers, script editors will
usually be full-time members of the production team, working closely
with the producer.[1]
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